HF: How and when did you become
interested in medieval Welsh culture?
JAC: When I was in the sixth grade, my
gifted enrichment program dida unit on medieval culture. One
of the books available for our perusal was Castle by David MacCaulay. (If you’ve never read it, Castle is a slice-of-life tour through a fictional castle in Wales with the most lovely and
detailed illustrations.) This book pulled me so firmly into the
medieval world that I don’t think I’ve ever really left. Castle made the middle ages feel familiar, approachable and real. I went straight to my library and
systematically checked out every book on medieval Wales,
then the middle ages in general. When I’d read them all, I started
harvesting titles from bibliographies and bugging my
mother to get books for me on inter-library loan. I became the
kind of unbalanced teenager who had research interests instead of
boyfriends or, y’know, a life.
HF: When writing your book, did
you sympathize more with one character than the other? (Cecily
or Gwenhwyfar)
JAC: Cecily certainly has problems,
but many of them are first-world problems and often of her own
making. Gwenhwyfar’s problems are more immediate and visceral
and dumped in her lap, but her fierce and uncompromising
attitude complicates her ability to deal with her situation
productively. Authors can’t afford to cuddle
their characters too close. It’s when you put them through the
wringer that they start doing interesting stuff.
HF: Did you ever consider writing
non-fiction instead of historical fiction on this
subject? If so, what made you choose historical fiction?
JAC: I have a bunch of academic
degrees; a few in history, one in library science. I definitely
could have written a straight history, but I’m much more
interested in the story of early colonial Wales---what was
happening on the ground to ordinary people, how they experienced
these laws and injustices, how they responded. History happens out in
the weeds no matter what the books tell you about kings and
battles and Important People.
HF: Your book was written with a
dual perspective, alternating by chapter. I noticed that
Gwenhwyfar's chapters were a little bit shorter than Cecily's. Was there
a reason for this?
JAC: I structured the book so Cecily’s
narrative was initially the stronger, dominant one, but
toward the end, Gwenhwyfar’s sections grow longer and Cecily’s
become shorter. The distance between them is shrinking as the
world changes around them.
HF: Do you plan to write more
historical fiction, and if so, will you stay on the subject of
medieval Wales? If you plan to write something other than historical
fiction, will you stay in the YA
genre?
JAC: I definitely plan to keep writing
YA, and maybe middle-grade someday. I like historical
fiction and I’ll probably write more in the future, but I go where the
story goes.
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